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“I’m not sure who does that, or if anybody does.” Nick Manale, a state police spokesperson in Louisiana, where the film industry was credited with creating more than 9.600 jobs last year and generating nearly $800 million for local businesses. We only regulate the special effects explosion-type stuff,” said Capt.
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“We don’t have anything to do with firearms.
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Georgia and Louisiana, where the film industry has expanded rapidly, regulate pyrotechnics on movie sets but have no specific rules around gun use. New York prohibits guns from being fired overnight on movie sets but does not otherwise regulate their use. And most of the preferred states for film and TV productions take a largely hands-off approach. is silent on the issue of on-set gun safety. Shootings nevertheless have killed and injured people while cameras rolled, including the cinematographer who died and the director who was wounded this week when no one realized a prop gun fired by actor Alec Baldwin during the filming of “Rust” carried live rounds that are far more dangerous than blanks.ĭespite some industry reforms following previous tragedies, the federal workplace safety agency in the U.S. Treat all firearms as if they are loaded.” The industry-wide guidance is clear: “Blanks can kill. Safety standards developed by film studios and labor unions are the primary protection for actors and film crews when a scene calls for using prop guns.